Gwen Halesdirector / choreographer / mentor / maker

Gwen has worked as an aerialist, a street performer, a fire-eater and a clown. Since completing training at Circomedia in 1998, she has travelled the world with traditional and contemporary circuses. Gwen now works as a freelance circus director, choreographer and mentor, collaborating with UK circus & theatre companies, and specialising in work that crosses the boundaries between skills and narrative.

Gwen runs two companies: Circii (comedic physical theatre) and Juggling Inferno (high-skill fire performances).

Circus/theatre work:

Gwen is a founder member of the infamous circus-theatre company Pirates of the Carabina. Their show FLOWN won the Total Theatre Award for Physical/Visual Theatre at Edinburgh in 2013. This show continues to tour, but without Gwen performing in it.

In 2012 Gwen was part of the core devising team for the Olympic sailing opening ceremony in Weymouth, Battle for the Winds. This complicated co-production from Cirque Bijou and Desperate Men included an innovative mobile street show and a theatrical spectacle set on a bespoke structure suspended from a crane.

Gwen was the Aerial Director on Bristol Old Vic‘s 2012 production of Peter Pan (dir. Sally Cookson) and this production was reworked for the National Theatre for Christmas 2016. www.nationaltheatre.org.uk/shows/peter-pan

She was Aerial Director for the touring production of Hetty Feather (dir. Sally Cookson), which was nominated for an Olivier Award in 2015. This show is happily returning for winter 2017/18. www.hettyfeatherlive.com

She also worked as Hammock Consultant(!) on the Tobacco Factory‘s 2014 Christmas production of Sinbad (dir. Craig Edwards), as Aerial Consultant on Life On Wheels, a 2015/16 show from circus company Bella Kinetica, and as Director on aerial duo CirqOn the Seam‘s 2017 production, Betwixt & Between.

Gwen collaborated with Sally Cookson for a stage adaption of the classic Fellini film La Strada – a co-production from Belgrade Theatre Coventry, Kenny Wax Ltd, Cambridge Arts Theatre and Bristol Old Vic. www.lastradalive.com

She worked with the National Theatre again on their 2017 production of Angels in America (dir. Marianne Elliott). www.nationaltheatre.org.uk/shows/angels-in-america

Gwen worked with Sally Cookson again on The Lion, The Witch and The Wardrobe for Christmas 2017. www.wyp.org.uk/events/lion-witch-wardrobe and this show is heading for London for Christmas 2018.

Also for Christmas 2018, Gwen will be working on the Tobacco Factory‘s The Borrowers, and potentially an adaption of Oscar Wilde’s The Selfish Giant, A co-production from Soap Soup Theatre and Tessa Bide Productions.


As a volunteer manager of the Albany Centre (an artist-run training space for circus practitioners in Bristol) since 2005, and through the two outdoor arts companies she runs, Gwen has been informally mentoring younger and less-experienced performers for many years. More recently, this mentoring role has become formalised and Gwen has worked for Circus Futures and the Bath Fringe artist development scheme to encourage artists to take risks, solidify their practice, and plan for the future.



Links to videos of Gwen’s work and collaborative organisations:

Hetty Feather:


Pirates of the Carabina:


Battle for the Winds (Cirque Bijou):




Juggling Inferno: